Things that I dislike about Ayn Rand's writing:
The Fountainhead: Decisions characters make totally upset any suspension of disbelief. People in the sort of positions characters are introduced in do not get to those positions by having a tendency to make those decisions. Any reader who has actually met successful newspaper editors, for instance, will balk at the idea that one will run his established paper into the ground to prove a point of principle. (This extends to rich men in general, though of course exceptions exist. Having put so much blood, sweat, and tears into your company, will you throw it away to make a gesture that most people won't understand?)
Also, what jury are you going to find that accepts that illegally dynamiting a building without owner consent or proper safety procedures is OK? You can't even find a jury in the American South that thinks that being black is OK without the help of a high powered lawyer. God help you if you actually confess to dynamiting a building and then argue that your reasons are pure. That never works in court. (Admittedly, "legal realism" is something that a lot of authors are short on, due to not doing the research - but it still irks me.) More critically, why have the architect win in court at all? Isn't the court just an extension of society and its standards? By using a victory in court as the climax of the bookt, Ayn Rand lends legitimacy to the judicial process, a process that ultimately serves to enforce obligations to society. This is supposed to be the very thing she is against.
Atlas Shrugged: Ayn Rand is convinced that people see sex only through the lens of ideals they are for or against. This says a lot more about Ayn Rand than it does about humanity. I'm not saying that there isn't an attraction when someone has similar ideals to you; I'm saying that taking this as the only enjoyable element of sexual activity is absurd. It should be pretty obvious from modern advertising just how large a component superficial appeal (physical appearance, fashion, style, etc.) plays in sexuality. Characters who pretend that part doesn't exist are either robots or hypocrites. They are in some important way inhuman.
While we're on the topic of sexuality, I think The Fountainhead rape is inadvertently brilliant: it shows the logical conclusion of Ayn Rand's philosophy. In a battle between ideals, brute force prevails and the stronger ideal wins. But take this and put it into human interaction, and we wind up with rape. Humans are not ideas. Social niceties do hold people back from progress, but also, they help people identify that things like rape are wrong. This is why people unbound by social strictures are a little bit scary to us, even as we admire them: for a human, to be capable of anything is to be capable of great evil as well as great virtue.
Transcending your limits can be a good thing. Struggling against the system is noble. But Ayn Rand is honestly not the writer that her disciples glorify her as. Her works are akin to fan fiction: more masturbatory wish-fulfillment than actual examination of what would happen if people were to balk at answering society's demands.




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